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Globally, songs and instrumental melodies are slower and higher and use more stable pitches than speech: A Registered Report

  • Yuto Ozaki
  • , Adam Tierney
  • , Peter Q. Pfordresher
  • , John M. McBride
  • , Emmanouil Benetos
  • , Polina Proutskova
  • , Gakuto Chiba
  • , Fang Liu
  • , Nori Jacoby
  • , Suzanne C. Purdy
  • , Patricia Opondo
  • , W. Tecumseh Fitch
  • , Shantala Hegde
  • , Martín Rocamora
  • , Rob Thorne
  • , Florence Nweke
  • , Dhwani P. Sadaphal
  • , Parimal M. Sadaphal
  • , Shafagh Hadavi
  • , Shinya Fujii
  • Sangbuem Choo, Marin Naruse, Utae Ehara, Latyr Sy, Mark Lenini Parselelo, Manuel Anglada-Tort, Niels Chr. Hansen, Felix Haiduk, Ulvhild Færøvik, Violeta Magalhães, Wojciech Krzyżanowski, Olena Shcherbakova, Diana Hereld, Brenda Suyanne Barbosa, Marco Antonio Correa Varella, Mark van Tongeren, Polina Dessiatnitchenko, Su Zar Zar, Iyadh El Kahla, Olcay Muslu, Jakelin Troy, Teona Lomsadze, Dilyana Kurdova, Cristiano Tsope, Daniel Fredriksson, Aleksandar Arabadjiev, Jehoshaphat Philip Sarbah, Adwoa Arhine, Tadhg Meachair, Javier Silva-Zurita, Ignacio Soto-Silva, Neddiel Elcie Muñoz Millalonco, Rytis Ambrazevičius, Psyche Loui, Andrea Ravignani, Yannick Jadoul, Pauline Larrouy-Maestri, Camila Bruder, Tutushamum Puri Teyxokawa, Urise Kuikuro, Rogerdison Natsitsabui, Nerea Bello Sagarzazu, Limor Raviv, Minyu Zeng, Shahaboddin Dabaghi Varnosfaderani, Juan Sebastián Gómez-Cañón, Kayla Kolff, Christina Vanden Bosch der Nederlanden, Meyha Chhatwal, Ryan Mark David, I. Putu Gede Setiawan, Great Lekakul, Vanessa Nina Borsan, Nozuko Nguqu, Patrick E. Savage
  • Keio University
  • Birkbeck University of London
  • SUNY Buffalo
  • Institute for Basic Science (IBS)
  • Queen Mary University of London
  • University of Reading
  • Max Planck Institute for Empirical Aesthetics
  • The University of Auckland
  • University of KwaZulu-Natal
  • University of Vienna
  • National Institute of Mental Health and Neuro Sciences
  • Universidad de la República
  • Universitat Pompeu Fabra (UPF)
  • Victoria University of Wellington
  • University of Lagos
  • Mountain Top University
  • Independent Researcher
  • Haponetay
  • Independent Researcher
  • Independent Researcher
  • Memorial University of Newfoundland
  • Kenyatta University
  • Goldsmiths, University of London
  • Aarhus University
  • University of Jyväskylä
  • Royal Academy of Music Aarhus
  • University of Padua
  • University of Bergen
  • University of Porto
  • Polytechnic Institute of Porto
  • Adam Mickiewicz University
  • Max Planck Institute for Evolutionary Anthropology
  • University of California at Los Angeles
  • University of São Paulo
  • Independent researcher
  • Waseda University
  • Headmistress
  • University of Hildesheim
  • University of Kent
  • Centre for Cultural Sustainability
  • The University of Sydney
  • International Research Center for Traditional Polyphony of the Tbilisi State Conservatoire
  • University of Oxford
  • South-West University “Neofit Rilski,”
  • Phoenix Perpeticum Foundation
  • University of Aveiro
  • Dalarna University
  • University of Music and Performing Arts
  • University of Cape Coast Ghana
  • Indiana University Bloomington
  • Universidad de Los Lagos
  • Millennium Nucleus on Musical and Sound Cultures (CMUS NCS 2022-16)
  • Traditional Performer and Culture Bearer
  • Kaunas University of Technology
  • Northeastern University
  • University of Rome La Sapienza
  • Max Planck Institute for Psycholinguistics
  • New York University
  • Txemim Puri Project–Puri Language Research
  • Independent Researcher
  • University of Glasgow
  • Rhode Island School of Design
  • Goethe-Universität Frankfurt am Main
  • The University of Kaiserslautern-Landau
  • University of Osnabrück
  • University of Toronto
  • Chiang Mai University
  • University of Lille

Research output: Contribution to journalArticlepeer-review

29 Citations (Scopus)

Abstract

Both music and language are found in all known human societies, yet no studies have compared similarities and differences between song, speech, and instrumental music on a global scale. In this Registered Report, we analyzed two global datasets: (i) 300 annotated audio recordings representing matched sets of traditional songs, recited lyrics, conversational speech, and instrumental melodies from our 75 coauthors speaking 55 languages; and (ii) 418 previously published adult-directed song and speech recordings from 209 individuals speaking 16 languages. Of our six preregistered predictions, five were strongly supported: Relative to speech, songs use (i) higher pitch, (ii) slower temporal rate, and (iii) more stable pitches, while both songs and speech used similar (iv) pitch interval size and (v) timbral brightness. Exploratory analyses suggest that features vary along a“musi-linguistic”continuum when including instrumental melodies and recited lyrics. Our study provides strong empirical evidence of cross-cultural regularities in music and speech.

Original languageEnglish
Article numbereadm9797
JournalScience advances
Volume10
Issue number20
DOIs
Publication statusPublished - May 2024

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