GLOBALIZATION AND THE HIP HOP DANCE CIPHER

Halifu Osumare, Terry Bright Kweku Ofosu

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

1 Citation (Scopus)

Abstract

Hip hop dance was the first of the culture’s elements around the globe, becoming a complex bodily text. We investigate the internationalization of Hip Hop dance in Hawai‘i and Ghana, with the cipher as a site for reinforcing and subverting local traditions and social orders. “Performance” is the transference of accepted American Hip Hop dance lexicons, while “performativity” encompasses local indigenous styles. The two mingle and transform during improvisation within the cipher, creating an Intercultural Body. Hawai‘i dance clubs offer a variety of styles from freestyle “house” to traditional breaking, reflecting the multicultural Asian-Polynesian mix of the islands. Ghanaian dance ciphers deconstruct the social complexities of a poor African country, while reinforcing traditional war dance elements of several ethnic groups. The global Hip Hop dance cipher is a microcosm of international forces, as US Hip Hop is exported and local sites grapple with imitation and adaptation to create their own reinscribed frameworks and meanings.

Original languageEnglish
Title of host publicationThe Oxford Handbook of Hip Hop Dance Studies
PublisherOxford University Press
Pages260-279
Number of pages20
ISBN (Electronic)9780190247867
ISBN (Print)9780190247881
DOIs
Publication statusPublished - 1 Jan 2022

Keywords

  • bodily text
  • dance cipher
  • global Hip Hop nation
  • globalization
  • performance and performativity

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